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Jaijai Jackson 

Click here to learn more about Jaijai
The Jazz Network Worldwide is dedicated with love to my father,
jazz legend bassist "Chubby" Jackson for his contribution to jazz and entertainment.
~ Jaijai Jackson

 

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Jaijai, what a wonderful mission you've undertaken to create such a place for artistic minds to meet and share their hearts. A place to renew faded determinations, and revive lessened momentums. A place to display our wares and reconfirm to one another that we actually are on the right track.

I commend you, Jaijai, for caring so much that you created this castle of the heart for all of us. I want to share my praise for all of the new friends as well as old friends that I've met and will meet here in our castle. Here we can garnish the where-with-all, the strength, the conviction, and the selflessness through our symbiosis, to share our gift to the world with an unbiased agenda.

My mentor, Daisaku Ikeda says of art: "A beautiful flower delights and refreshes the hearts of all people equally, no matter what soil it grows in. That is the power of beauty. The same is true of great art. It is this spirit that the German poet Heinrich Heine sang of when he wrote that once the peapod bursts open, the sugar peas inside are for everyone to enjoy."

Let's be audacious, my friends!

Buster Williams

 

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Artwork courtesy of Jeff Laibson www.jefflaibson.com

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ELIANE ELIAS’ MADE IN BRAZIL MARKS A MUSICAL HOMECOMING

FOR MULTI-GRAMMY®-NOMINATED PIANIST/KEYBOARDIST/SINGER/

COMPOSER/ARRANGER

March 31st release features Take 6, guitarist/vocalist Roberto Menescal and vocalists Mark Kibble and Ed Motta, with seven orchestral arrangements by Rob Mathes recorded at Abbey Road Studios

For Immediate Release – Eliane Elias’ Made in Brazil, scheduled for release on March 31, 2015 on Concord Jazz, marks a musical homecoming for the multi-GRAMMY®-nominated pianist/keyboardist/singer/composer. In her three-decade long career as a solo artist, Made in Brazil results from the first time she’s recorded a disc in her native Brazil since moving to the United States in 1981. (International release dates may vary)

Elias wears many hats on this project as producer, composer, lyricist, arranger, pianist and vocalist. “I am completely immersed and involved in every single detail of the music and the recording process, from the birth of an idea until its completion through every aspect of the production until it reaches the public,” she explains.

Along with co-producers, Steve Rodby and Marc Johnson, her bass playing musical partner, Elias ventured ‘home’ and recruited a splendid cast of Brazilian musicians that include electric bassist Marcelo Mariano; guitarists Marcus Teixeira and Roberto Menescal; drummers Edu Ribeiro and Rafael Barata; and percussionists Mauro Refosco and Marivaldo dos Santos.

Elias peppered the sessions with delightful special guest performances from Mark Kibble and the multi-GRAMMY® Award-winning gospel vocal group Take 6; her singer/songwriter-daughter Amanda Brecker; one of Brazil’s most celebrated R&B stars, Ed Motta; and the distinguished bossa nova composer Roberto Menescal.

Elias also invited Rob Mathes to handle orchestral arrangements on seven of the 12 tracks, which were recorded in London at the legendary Abbey Road Studios. “It’s so touching to hear the music unfold,” she says of the orchestral arrangements after they were overdubbed onto the São Paulo sessions. “You can see the musical notes on paper, but it’s something else to hear them realized and performed by members of the London Symphonic Orchestra.”

In terms of material, Made in Brazil contains six Elias originals plus two Ary Barroso standards, two Roberto Menescal chestnuts, and two Antônio Carlos Jobim world-renowned gems. Elias, who did all the arrangements for the basic tracks, said that she purposely wanted Made in Brazil to incorporate three generations of Brazilian composers. “But it’s not a retro record,” she clarifies. “It’s very contemporary yet with the tradition and authenticity of Brazil; it’s music of the world with Brazilian DNA.” 

Indeed, Made in Brazil’s pulsating bossa nova and samba rhythms, transfixing harmonies and sensual lyrics, accentuated by Elias’ own captivating vocals and incredible pianistic acumen, will surely become a 21st-century Brazilian classic. Elias frames the disc with two Barroso gems – “Brasil (Aquarela do Brasil)” and “No Tabuleiro da Baiana.”

“Brasil,” penned in 1939, “is a Brazilian anthem,” enthuses Elias. “It’s reported to be the most preferred Brazilian song of the last 100 years. It’s about the beautiful things of our country, the Brazilian Brazil; its natural beauty, mixed ethnic cultures and the samba.” Here she accentuates the composition with a suspenseful diaphanous string arrangement, whereas Elias and the band concoct an intoxicating, lithe groove. Atop of the infectious samba rhythm, Elias graces the proceeding with a glowing Fender Rhodes accompaniment, which later unfolds into a joyous and rhythmic solo. 

Barroso wrote “No Tabuleiro da Baiana,” in 1936, which was made famous by singer Carmen Miranda. Through the song’s theme about a tabuleiro, a tray filled with edible treats typical of Bahia, Elias says that her rendition allows her to share her affection for that particular Brazilian state. “I love the culture; I love the people; I love the music; and I love the food,” Elias says.” I’ve been in love with Bahia all my life.” On her delightful rendition, Elias hammers the samba with harder, percussive accents via her vivacious piano playing inside some hip-swerving inducing accompaniment while her dexterous vocal rides and swings on top.

As a bonus track, Elias delivers a rapturous makeover of Menescal’s most beloved composition, “Little Boat (O Barquinho),” yet another aquatic-themed showcase for Elias’ incredible musical rapport with Johnson and Barata. Elias’ ingenious arrangement at times evokes the motion of a boat floating and moving through waves.

Regarding Jobim, Elias performs his epochal “Águas de Março (Waters of March),” which she notes is the most covered Brazilian tune in the world.” Through the song’s picturesque, stream-of-consciousness lyrics, Elias puts a new spin on the song’s allure with her R&B-inflected mid-tempo arrangement, and by inviting Take 6 to sing with her. Elias’ arrangement is a completely fresh take on the song, and her vocals combined with Take 6 are splendid.  “Ironically, when Jobim wrote this song in 1972, he thought he had reached the end of his career,” Elias explains. “The lyrics talk about being at the end of the road, about being alone, but the song’s message ultimately is optimistic and carries hope.”

Elias’ other revisit of Jobim’s music on Made in Brazil illustrates her capricious yet musical ingenuity. She delivers a sublime mashup of Jobim’s “Este Seu Olhar” and “Promessas.” Accompanied by Johnson, Teixeira and Ribeiro, this elegant rendition works splendidly as Elias delivers a heartfelt interpretation of the songs. Elias notes that the chord sequence of both compositions is the same and both melodies can be sung together simultaneously.  

Whereas the aforementioned compositions display Elias’ mastery at arranging and interpreting Brazilian standards, other songs on Made in Brazil show her deft musicianship as a composer and lyricist. Draped with a gorgeous string arrangement, the yearning “Searching” puts Elias’ enchanting singing and piano playing squarely in the center as she coos the romantic lyrics about the affairs of the heart.  This song evokes the timeless quality of a Frank Sinatra standard.

Vocalist Mark Kibble, Take 6’s main arranger, sings with Elias on “Incendiando” and “Driving Ambition.”  On “Incendiando” the stellar performances of Elias and Kibble heighten the romantic and sexual tension revealed in the song. 

“Driving Ambition” equally simmers with an erotic charge, thanks to the song’s titillating automobile metaphors and the sauntering bossa nova/Latin blend of rhythms. Kibble’s background vocals are sonic brush strokes of imagery perfectly complementing the seductive vocals by Elias.

The poetic pop/R&B ballad “Vida” features the prominent Brazilian R&B singer Ed Motta. Elias and Motta portray characters in a musical drama. Elias’ character describes what a woman wants in a romantic partner and Motta responds to her as the man she is looking for.

“When I write lyrics, I am inclined to talk about feelings, wishes of the heart and life situations,” Elias says. “Aspects of love – being in a relationship; the search for the right person; the search for happiness; romance; and the desires of our hearts, while I amplify these ideas and bring another depth to the message with the melodies and harmonies.”

Listening to Made in Brazil and diving into Elias’ originals and fetching interpretations of Brazilian classics will surely delight and fill your heart and ears with soul-stirring joy.

 


 CLICK HERE TO VISIT THE OFFICIAL ELIANE ELIAS WEBSITE

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LEAfrodeezia is available on iTunes and Amazon.
 
For more information contact Cem Kurosman at Blue Note Records
(p) 212.786.8634 (e) cem.kurosman@umusic.com
 
Follow Marcus Miller:
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iTunes • Spotify • Rdio • Beats Music • Deezer • Slacker
 
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 "My most memorable experiences were learned, seen, and enjoyed, during the years I spent as a featured artist with the wonderful Gladys Knight. She gave me the opportunity to travel the globe and play in venues some people only dream of ...... "

~Vince Preister

Currently available for:

Touring, festivals and recording.

Contact:

Vince Preister

 702-600-1041

Email: vpreister@yahoo.com 

www.vincepreister.com

 

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Chubby Jackson helped popularize the the 5-string C bass, was responsible for bringing be-bop jazz to schools all over the country, and also had the first American jazz band to tour Europe after WWII. He appeared in numerous movies and TV shows featuring the grand masters of Jazz.

Chubby performed and recorded with Woody Herman, Duke Ellington, Lionel Hampton, Charlie Barnet, Louis Armstrong, Miles Davis, Stan Getz, Coleman Hawkins, Dizzy Gilllespie, Ella Fitzgerald, Red Norvo, Buddy Rich, Charlie Parker,Terry Gibbs, Ben Webster, Raymond Scott, Bill Harris, JJ Johnson, Zoot Sims, Gerry Mulligan, just to name a few.

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Contact Jaijai today at: jaijai@thejazznetworkworldwide.com to learn how you can be the featured artist and other ways to promote your artistry, artist & business right here in The Jazz Network Worldwide! Join us today and become a lifetime member  and a part of our family of jazz for only $5.00!
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