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History of Jazz

For those of you that are Jazz Historians and/or are Jazz Aficiandos please share stories, facts and music here. We are here to mentor and to be mentored in Jazz.

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Latest Activity: Feb 4

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Louis Armstrong

Started by Durium. Last reply by Durium Feb 7, 2010. 1 Reply

Tuba Fats ( 1950 - 2004)

Started by Durium. Last reply by DERICK POLK Jan 18, 2010. 2 Replies

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Comment by Kim Clarke on December 11, 2009 at 4:09pm
The Lady Got Chops womens Month Jazz Festival was the brainchild of Kim Clarke and Lil Meyers and Tiecha Merritt of the JAzz Spot in Brooklyn. The Jazz Spot is now closed but with a grant from Chase we can carry on with the 8th festival by renting a larger venue and hope to include more music, spoken word dance fiml etc Vote now at http://thejazz.8m.com/fest.html
Comment by Sybil Gage on December 11, 2009 at 1:11pm


Just started a new Radio Show based on my own involvement with The Stormy Monday Show on WBAI in NY in the 1980s. Some of you may remember the two hosts James Browne and David Jackson. My own Stormy Monday is a tribute to them and the music. Stop in and join me Sat @ 7pm. It streams live on www.1300wmel.com
Comment by HARLEM JAZZ NOTES on October 13, 2009 at 6:36pm
Take Notes
Comment by HARLEM JAZZ NOTES on October 13, 2009 at 6:34pm
Take Notes

Comment by Marlana-Patrice on October 9, 2009 at 11:59am

Almost show time here in Phoenix 10/15-18. I have supporting roles and am a background singer for this Donny Hathaway Tribute, a BlackPoet Ventures Production. Go to www.blackpoetventures.com for details. Here's the official flier. I am on the left in the top right inserted photo.
Comment by Von Babasin on September 17, 2009 at 11:29am
I have been in touch with such jazz journalists and historians as Phil Schaap, Scott Willis, Marc Myers, Ted Gioia, John Tynan, Mark Cantor, Chet Hanley, Jason Crane, and a host of others, concerning a documentary I'm producing about my father, bassist Harry Babasin - please visit the link below -

New York Foundation for the Arts
Read and re-read Von Babasin's interview at: http://www.nyfa.org/level3.asp?id=694&fid=5&sid=156
Comment by Bv Photography on August 29, 2009 at 6:21pm
I enjoyed spending time with Sam Rivers last year in his home to conduct this interview: http://blogs.orlandosentinel.com/community_altamonte_blog/2008/09/sam-rivers---po.html
Comment by Leon (Sealey2k) Sealey on August 11, 2009 at 2:51pm
JAZZMOBILE & ITS FOUNDER, DR. BILLY TAYLOR, PLAN REUNION
TO CELEBRATE ORGANIZATION’S 45TH ANNIVERSARY

Jazzmobile Artists to Recreate Famous ‘Great Day in Harlem’ Photo
Before August 12 Grant’s Tomb Concert Featuring Veteran Jazz Musician Jimmy Heath



NEW YORK (August 5, 2009)—In honor of Jazzmobile Inc.’s 45th anniversary, an array of musicians will come out for a reunion before the group’s Wednesday, August 12, free concert featuring veteran jazz instrumentalist and composer Jimmy Heath being held at 7:00 pm. The artists, who have performed for Jazzmobile at concert halls, clubs and in its renowned Summerfest mobile concerts since the group’s 1964 founding, will join the organization's founder Dr. Billy Taylor in recreating the famous 1958 Art Kane “Great Day in Harlem” photo, a group portrait of legendary jazz musicians. The photo will be taken at 5:30 pm. Jazzmobile presents New York’s oldest continuous summer Jazz festival reaching approximately 100,000 annually.



Heath, who has not only been a Jazzmobile artist but has helped to create the next generation of jazz performers as an instructor since the 1970s, will take the stage at 7:00 pm and perform until 8:30 p.m. Having led his own ensembles and big band, Heath has performed with nearly all the jazz greats of the last 50 years, from Howard McGhee, Dizzy Gillespie, and Miles Davis to Wynton Marsalis, Heath has long been recognized as a brilliant instrumentalist and a magnificent composer and arranger. He is the middle brother of the legendary Heath Brothers (Percy Heath/bass and Tootie Heath/drums) and the father of urban contemporary and funk musician and producer Mtume, known for his 1970s/80s band of the same name. Over the course of his career Heath has performed on more than 100 record albums, including seven with The Heath Brothers and 12 as a leader. Many of Heath’s more than 125 compositions have become jazz standards.



All of Jazzmobile’s audience will be invited to join in a second photo if they are wearing the 2009 Jazzmobile Summerfest T-shirt! Everyone is invited to dine and enjoy all of the items for sale at the merchandise bazaar.



WHO: Jazzmobile artists; Jazzmobile Founder Dr. Billy Taylor; President & CEO Robin Bell-Stevens

WHAT: Recreation of Art Kane “Great Day in Harlem” photo with Jazzmobile artists in honor of the organization's 45th Anniversary

WHEN: Wednesday, August 12
5:30 pm Photo with Jazzmobile jazz artists
7:00 pm Jimmy Heath Concert

WHERE: Grant’s Tomb, West 122nd Street & Riverside Drive, Harlem—west of the Riverside Church (New York City)
Comment by MILTON E. RUSS II / NANTAMBU on July 30, 2009 at 5:42am
HELLO GOOD PEOPLE
SIR " EDDIE DURHAM " WAS A MASTER OF MASTERS AND IT'S JUST FANTASTIC THAT HIS TALENT IS BEING SHARED STILL TO THE WORLD ! I'M HONORED TO HAVE KNOWN HIM AND MEMBERS OF HIS FAMILY !
GOD BLESS
PERCUSSIONIST
NANTAMBU MILTON ELIJAH RUSS II
Comment by Topsy M. Durham on July 29, 2009 at 6:18am
...on EDDIE DURHAM 1920's in Texas USA:
After the Dramatic Show ended, Eddie joined the 101 Ranch Rodeo Circus which he says "was like the Ringling Brothers Show, only they had a bigger ring, because in some of the acts they had 3 - 4 tribes of Indians. Chief White Horse, Chief White Cloud and they'd perform just like they do in a movie. It was a Wild West show...yeah, and sometimes rifles... with blanks, all in the tent. They had a parade, then later on, the minstrel band would be further back in the parade playing jazz type stuff and the comedians on the wagon. But I arranged for the nine-piece minstrel show when we would break at 9PM, we'd go someplace where you could give a dance, charge 50 cents and I would write for them...and that's when I used the guitar and that's how I learned to voice above [triad] 3-part harmony. I would rehearse 4 trombones together and for the piano, I would get 2-3 French horns, voice 2-3 part harmony for them, giving a piano sound. Later we added in clarinets. I was experimenting in voicing. My brother was teaching me to read music." It was rehearsing with this traveling Circus show, and the jam sessions after the shows, where Eddie began developing multiple-part harmony.

"The last show that I was with them, they were at Yankee Stadium in New York and then they tore down [the Stadium] that year after and the show went to Europe." Eddie and his brothers joined "Edgar Battles Dixie Ramblers", a larger band..
 

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