Jazz great, former Oscar Peterson drummer Alvin Queen, denied entry into USA.
Mount Vernon, New York native Alvin Queen was recently notified that U.S. Homeland Security will not allow him to enter the United States to perform at a prestigioius, long-planned concert in Washington.
Mr. Queen, the former drummer for Oscar Peterson, whose career includes memorable collaborations with a veritable who’s who of music royalty, including Nina Simone, Horace Silver, George Benson, Ruth Brown, Buddy DeFranco, Wynton Marsalis, Billy Taylor, Wild Bill Davis, George Coleman, George Braith, Larry Young, Harry Sweets Edison and Johnny Griffin, was set to perform at a concert in Washington, DC on November 15th, 2017, at the behest of The French-American Cultural Foundation.
The evening, entitled “JAZZ MEETS FRANCE,” has Wynton Marsalis as its Honorary Chairman, and Dr. David Skorton , Secretary of the Smithsonian Institution , is Master of Ceremonies. The event marks the centenary of the US entry into WWI and specifically honors the Harlem Hellfighters . Ironically, these were the African-American soldiers who served in WWI, and who introduced jazz music to France and the rest of Europe, yet whom were never officially honored, until now.
Mr. Queen, who has held a Swiss passport for thirty years, was informed this week that, due to a run-in with the law as a youth, a half century ago, while a minor, he would have to apply for a Waiver from the U.S. Dept of Homeland Security, despite the fact he was born in the USA. This would take months, making it virtually impossible to participate, barring Presidential decree, and we know that’s unlikely. But this is not “fake news.”
“Sadly, this doesn’t surprise me one bit,” comments Mr. Queen, 67, from his home in Geneva. “I’ve spent months preparing for this concert. Dozens of others are also implicated in its planning. Funny thing, I gave up my U.S. passport to make life simpler at tax time. I never dreamed I would one day be denied entry, and with such ridiculous reasoning. I am frankly disgusted to be disrespected in this way, after a half century devoted to music.”
Mr. Queen, who until 2016 held dual citizenship with the United States and Switzerland, has previously worked numerous times for the US State Department as a Cultural Ambassador, and participated in numerous tours of Brazil, Africa and Japan. Queen also performed at the American International Jazz Day in Paris several years ago.
Mr. Queen has held a U.S. passport, and regularly worked under the auspices of the American government, for over fifty years of his life. Like many citizens, he’s had brushes with the law, but these have never impeded his ability to enter and exit his native country. A one-time DWI charge and a minor drug offense both resulted in not guilty charges.
For this occasion, the US State Dept had only to apply for an “O1B Work Visa” in order for Mr Queen to enter in the United States. This was done correctly, but after the process was completed, fingerprints matching a 1967 FBI file were dredged up and presented as a reason to prevent him from entering the USA. So now we can see that the infamous “travel ban” is not limited to citizens of Sudan, Syria, and Iran. It extends to a then 16-year-old drummer who once sat in with John Coltrane.
How can you process someone fifty years later for charges that occurred when they were a youth, a mere child? And why punish this now acclaimed adult, a leading light on the international jazz scene, who is now 67 years old? He obviously forged a path and created a fabulous life for himself. Adds Queen, “I feel this is more about racial profiling than anything. It’s all about trying to control everyone. I am not a criminal and in fact never was. When I became a Swiss citizen, I “became a criminal” again in the eyes of US law enforcement. If I was undesirable fifty years ago, why have I been issued a fresh passport every ten years for the past six decades?” Indeed, this is the question.
For now, those wanting to experience Alvin Queen’s jazz mastery will need to follow him to Montreal, Canada, where he is set to give a master class with pianist Wray Downes on Friday, Nov 3rd at 1:00 pm (free and open to the public) at Concordia University and then a full concert with his trio the following evening, at Upstairs Jazz Bar & Grill , on Saturday, Nov 4th, for two sets, at 7:30 and 9:45 pm.
Queen has the last word. “If someone wants to apologize to me and make this right, fine. But I’m not holding my breath.
In the meantime, I’ll bring my music, this American art form, to every other country in the world. I know they like me in Canada. I’ll start there.”
This coming week Alvin will be featured on The Jazz Network Worldwide http://www.thejazznetworkworldwide.com with a sneak peek of two singles from his CD re-issues of "Mighty Long Way" and "I Ain't Looking' At You" slated for late fall 2017.
The official website for Alvin Queen is http://www.alvinqueen.com to learn more about his current engagements and all things Alvin.
Mr Queen is available for interviews relating to this story.
Featured this week on The Jazz Network Worldwide: Vocalist, Grace “Gigi” Smitherman debuting her original single “This Doesn’t Feel Like Love”.
Grace “Gigi” Smitherman is becoming among contemporary music's most stylish and sultry vocalists; while often-blending R&B and Jazz in her new original single “This Doesn’t Feel Like Love”.
Formally known as “Gigi” ~ “The lady with the fan” for she always has a beautiful handmade fan adorning her performances. Her female fans are known as her “fanistas”. Her cool, sensual singing style is geared toward the ‘senior set’ as her performances are reminiscent of days gone by when jazz standards were held in high regard in the music community. Gigi’s style and elegance upon the stage exudes confidence and reverence for a style of music that tells a story, from upbeat tempos to sensuous ballads. She developed her unique vocal and writing style through the influences of: Nancy Wilson, Ella Fitzgerald, Peggy Lee, Sarah Vaughn and Phyllis Hyman.
Gigi began singing again after a hiatus of running a large corporation in New Orleans and decided to get back on stage and allow the songs in her heart to be written and heard. Her performances are geared toward the contemporary senior community that loves to reminisce through legendary jazz music. In 2012, she took the jazz community in Lake Charles, Louisiana by storm.
Her writing style captures the imagination of the listener with a rich, full-bodied sound that soothes, delights and seduces her audience. A fan recently commented of Gigi: “Smooth as fine wine, she graces the stage with style and glamour along with adding a little sass to her performance.”
“I remember the day when Gigi reached out to me for promotion, she shared with me that she had accomplished much in her life and felt that the music that ran through her veins was going to have a platform. She noted that her age was not going to stop her from enjoying her God-given talents. She wanted to relate not only to a new audience but to give the “sophisticated audience” a place to listen to the jazz standards they know and love” says Jaijai Jackson of the Jazz Network Worldwide.
Gigi’s focus is to continue to compose original songs and to breathe life into the love of music she has in her heart. “This Doesn’t Feel Like Love” is just the beginning of the musical offerings being originated by this sassy chanteuse. The mature audience setting is where she thrives, with a purpose that no matter how old you are, you can enjoy America’s musical art form and have fun remembering just how nostalgic life can be through the musical presentations by “The Lady With The Fan”. Gigi seeks to perform for jazz societies, upscale fundraisers, senior communities and philanthropic events that support health, wellness and spiritual growth and is currently writing for her upcoming CD due early 2018.