Jaijai, what a wonderful mission you've undertaken to create such a place for artistic minds to meet and share their hearts. A place to renew faded determinations, and revive lessened momentums. A place to display our wares and reconfirm to one another that we actually are on the right track.

I commend you, Jaijai, for caring so much that you created this castle of the heart for all of us. I want to share my praise for all of the new friends as well as old friends that I've met and will meet here in our castle. Here we can garnish the where-with-all, the strength, the conviction, and the selflessness through our symbiosis, to share our gift to the world with an unbiased agenda.

My mentor, Daisaku Ikeda says of art: "A beautiful flower delights and refreshes the hearts of all people equally, no matter what soil it grows in. That is the power of beauty. The same is true of great art. It is this spirit that the German poet Heinrich Heine sang of when he wrote that once the peapod bursts open, the sugar peas inside are for everyone to enjoy."

Let's be audacious, my friends!

Buster Williams


Barbara Cook On Piano Jazz

This week's Piano Jazz from 1998 remembers lyric soprano Barbara Cook, a Broadway star, staple of the New York cabaret scene and favorite of audiences around the world.

Meet The Mysteriously Chill (And Weird) Natural Yogurt Band

Two English musicians, with a strange backstory, mine "library music" to create a fuzzy, endlessly vibing sound.

Nellie McKay's Smoldering Voice Takes On Standards Like 'My Romance'

Nellie McKay sings melancholy standards about love on her new album: Sister Orchid. NPR's Scott Simon speaks with McKay about her music that she performs alone.

Harry 'Sweets' Edison On Piano Jazz

On this episode of Piano Jazz from 1999, broadcast just months before Edison died, the legendary jazz trumpeter joins Marian McPartland for a few classics and an original.

Joshua Redman, 'Still Dreaming,' Pays Emotional Tribute To His Father

The revered saxophonist leads an agile post-bop group with Ron Miles on cornet, Scott Colley on bass and Brian Blade on drums.

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Bill Fulbright
  • Male
  • Alpharetta, GA
  • United States
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Bill Fulbright: Jazz Guitar & Vocals

Profile Information

Where are you located?
Atlanta, GA
What is your affiliation to the Jazz World?
Musical Artist, Producer, Vocalist, Arranger, Composer
Tell us a little about your background...


- Jazz, R&B/Blues guitarist, Vocalist - Composer, Arranger - most of the tunes you are listening to here. - Solo Act, Single Variety Act, Band Leader Jazz, Blues and R&B Band, Sideman on call. - NTSU Music education - 40 yrs professional performance - Still learning and loving it.

Bill Fulbright's Musical Biography

My Other website:

I began playing piano at age 6, ukelele at age 8, guitar at age 10, bass at age 12, organ & harmonica at age 14. I was playing in bands starting at age 12. About two years later it was 1965, and the British Invasion began. Also the British Blues Invasion as well. I began to play the "new" music, plus discover all the blues players such as Eric Clapton, Peter Green, John Mayall, Kim Simmonds and Jeff Beck. From the U.S. it was Muddy Waters, Little Walter, Jimmy Reed, Freddie King, Jimi Hendrix, Paul Butterfield, Mike Bloomfield, Elvin Bishop, Johnny Winter (from my hometown, Beaumont, Texas), Billy Gibbons (from Houston - ZZ Top), Mike Pinera (Blues Image), Robben Ford and many others. It was a very magical and challenging time.
When I graduated from High School, I was a pretty fair r&b player, but with many bad playing habits. After barely making it in college for a couple of years, I went to Europe to play and sing the songs and music I had been writing since H.S. graduation. It was spectacular. I played in concert halls, the subways (Underground in UK, and Metro in Paris), Piazzas in Rome, Youth Hostels in Germany, clubs in Copenhagen and Amsterdam. I was never so amazed to see genuine response to my music. I had thought all my friends back in the U.S. had been joking me about my music. I was wrong.
My 1970 Dobro

My 1978 Ash Stratocaster with Schecter Monstertone pickups

When I came home, I immediately enrolled in North Texas State University's music department and began classes as a Theory/Composition Music Major with a primary instrument of Guitar, secondary instrument as Piano. My class was the first class in NTSU's history to have a Guitar Class. It was classical training only. If you wanted to play jazz, you had to find the jazz players to bug for tips, or just study it on your own. I was lucky enough to play in some of the lab bands, and sub for the 2 o'clock band for a while.

I discovered the sad news that I was no "hot shot". There were many very gifted players who were miles and years beyond me in playing ability. I began to practice 5 - 8 hours a day on both guitar AND piano just to keep up. It was inspirational. I survived and began to excell maintaining a 3.8 average. It was 1974. The height of Disco. Ugh. It took me about 4 years of playing (post NTSU) to get over the "technical" tailspin music school put me in and put the "heart" back in my playing. I continued to write tunes and began to explore and write electronic and experimental music too.

1981 was the year I decided to become a full time professional performer as a "Single Variety Act", (One Man Show, w/some electronic accompaniment, which later became a fully programmed SY-77 Yamaha keyboard) and Band Leader (when there was a budget). I successfully in played the Dallas market during that time and for the next 11 years. After playing the local bars, restaurants and private parties, I quit for a while. Fortunately for me, my agent kept me going with some interesting jobs from some of her local and international corporate clients. I began to have fun again. I still dabbled in electronic composition.

My Herb Ellis Signature ES-165
My early 80's ES-165!

My Jazz influences have come from Charlie Christian, Django Reihhardt, Larry Carlton, Robben Ford, George Barnes, Pat Metheny, Tal Farlow, Bucky Pizzarelli, Wes Montgomery, George Benson, Kenny Burrell, Johnny Smith, Chet Atkins, Les Paul, Lenny Breau, Ted Greene, George Van Eps, Charlie Byrd, Dave Brubeck, Jimmy Smith, Miles Davis, Shirley Scott, Leon Rhodes, Doug Jernigan, Buddy Emmons and many others.

For local bookings in Atlanta, GA E-mail Me

How did you hear about the Jazz Network? Please give full name of contact
My Space
What Instrument do you play?
Vocalist, Piano, Bass, Guitar, Other
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Comment Wall (40 comments)

You need to be a member of THE JAZZ NETWORK WORLDWIDE "A GREAT PLACE TO HANG" to add comments!


At 4:57am on August 22, 2011, Emile J Worthy said…
Hey now young fella...I see you aare still singin and swingin...Keep me in your loop..;-)
At 6:06pm on October 12, 2009, jazz said…
my music
At 6:06pm on October 12, 2009, jazz said…
At 6:03pm on October 12, 2009, jazz said…
At 6:02pm on October 12, 2009, jazz said…
bonjours je vouz et mis parmie les reihardt jespere que sa vouz player mon genre de musik abientot
At 6:01pm on October 12, 2009, jazz said…
At 5:54pm on October 12, 2009, jazz said…
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At 5:51pm on October 12, 2009, jazz said…
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Bill Fulbright's Blog

THE JABARI GROVER BAND @ Pasti's - Tonight!!

Posted on April 23, 2017 at 3:37pm 0 Comments

THE JABARI GROVER BAND @ Pasti's - Tonight!!

I am playing jazz and R&B guitar tonight with The Jabari Grover Band,

at Pasti's, on the Corner of Roswell Road, and Canton Road in Roswell

928 Canton Street Roswell, GA 30075

from 7-10.

It is an amazing voice you will hear with Jabari, and a killer band to provide the…


New Amp: Goodsell 33 Custom / New Guitar: Eastman T185MX

Posted on May 20, 2009 at 8:12pm 0 Comments

New Amp: Goodsell 33 Custom / New Guitar: Eastman T185MX

Awesome combination. Incredible personality and voice. Just what I have always been looking for. Perfect.

Pictures to come!


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