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Jaijai, what a wonderful mission you've undertaken to create such a place for artistic minds to meet and share their hearts. A place to renew faded determinations, and revive lessened momentums. A place to display our wares and reconfirm to one another that we actually are on the right track.

I commend you, Jaijai, for caring so much that you created this castle of the heart for all of us. I want to share my praise for all of the new friends as well as old friends that I've met and will meet here in our castle. Here we can garnish the where-with-all, the strength, the conviction, and the selflessness through our symbiosis, to share our gift to the world with an unbiased agenda.

My mentor, Daisaku Ikeda says of art: "A beautiful flower delights and refreshes the hearts of all people equally, no matter what soil it grows in. That is the power of beauty. The same is true of great art. It is this spirit that the German poet Heinrich Heine sang of when he wrote that once the peapod bursts open, the sugar peas inside are for everyone to enjoy."

Let's be audacious, my friends!

Buster Williams


Jimmy McPartland On Piano Jazz

Revisit this 1990 episode featuring the legendary cornetist as he teams up with his wife, host Marian McPartland, to perform "St. James Infirmary."

Marian McPartland: A Centennial Celebration

No jazz musician has ever been heard more on public radio than the late Marian McPartland. But for all her ubiquity, how well did we really know her?

Review: August Greene, 'August Greene'

August Greene, the supergroup featuring Common, Karriem Riggins and Robert Glasper, peers at the state of the black union through a jazzy, hip-hop lens.

Carol Sloane On Piano Jazz

Sloane's command of The Great American Songbook is unmatched. Revisit this singer's performance of standards such as "Cheek to Cheek" in this 2002 episode.

The Austin 100: Ezra Collective

For fans of Kamasi Washington, Tortoise and Sun Ra.

Click the image to give us your ideas for great festivals, events, fundraisers, sponsors, investors, etc. Let's combine our databases to bring us all to the next level of networking!

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Brazil Essence
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  • Spain
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MARTES DÍA 2 de DICIEMBRE en el Clube del Choro

MARTES DÍA 2 de DICIEMBRE en el Clube del Choro: Presentación Especial de Luís Floriao y Adriana D´Adri (de Rio de Janeiro - Brasil), acompañados por Brazil Essence. Muestra de Samba Carioca (Samba de Gafieira), Samba no Pé y Forró en el MADE IN BRASIL.

Brazil Essence en el Jazz Voyeur Club de Palma

El próximo día 12 de noviembre Brazil Essence actuará en el "Jazz Voyeur Club" de Palma. La actuación empieza a las 22:00h, pero el local tiene aforo limitado, por lo que si quieren encontrar sitio, hay que llegar antes.

El repertorio incluirá conocidos temas de Bossa Nova y por supuesto Lo mejor del Choro.

Brazil Essence Instrumental

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Profile Information

Where are you located?
(34) 630 98 77 60 / (34) 871 93 56 71
What is your affiliation to the Jazz World?
Musical Artist, Visual Artist, Graphic Designer
Tell us a little about your background...
Brazilian Instrumental Acoustic Group.
Bossa Nova, Choro & Samba.
Carlos Venturelli: Mandolin (Bandolim brasileiro).
Jon Cilveti: Acoustic Guitar.
Luis Figueiredo: Percussion (Pandeiro brasileiro)
How did you hear about the Jazz Network? Please give full name of contact
What Instrument do you play?
What is your website address? Only websites that pertain to your business and how you can be contacted.

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"Choro" - Brazilian Urban Instrumental Music

"Roda de Choro" (Choro Jam Session) in Balears Islands / Spain Chôro, literally "cry" in Portuguese, meaning "lament"), traditionally called chorinho ("little cry" or "little lament"), is a Brazilian popular music style. Its origins are in 19th century Rio de Janeiro.

Old Choro group

Choro instruments

Originally choro was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, and saxophone. These melody instruments are backed by a rhythm section composed of guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrument, other times as part of the rhythm.

Compositional structure

Structurally, a choro composition usually has three parts, played in a rondo form: AABBACCA, with each section typically in a different key. There are a variety of choros in both major and minor keys.


Much of the success of this style of music came from the early days of radio, when bands performed live on the air. By the 1960s, it had evolved into urban samba. However, in the late 1970s there was a successful effort to revitalize the genre, through TV-sponsored nation-wide festivals in 1977 and 1978, which attracted a new, younger generation of musicians. Thanks in great part to these efforts, chôro music remains strong in Brazil. More recently, chôro has attracted the attention of musicians in the United States, such as Mike Marshall, who have brought this kind of music to a new audience.

Tom Jobim

Bossa Nova

Bossa nova is a style of Brazilian music popularized by Antônio Carlos Jobim, Vinicius de Moraes and João Gilberto. Bossa nova (which is Portuguese for "new trend") acquired a large following, initially by young musicians and college students.[1] Although the bossa nova movement only lasted six years (1958–63), it contributed a number of songs to the standard jazz repertoire.


Bossa nova is at its core a rhythm based on samba. Samba combines the rhythmic patterns and feel originating in former African slave communities with elements of European march music. Samba's emphasis on the first beat carries through to bossa nova (to the degree that it is often notated in 2/4 time). When played on the guitar, in a simple one-bar pattern the thumb plays the bass notes on 1 and 2, while the fingers pluck the chords in unison on the two eighth notes of beat one, followed by the second sixteenth note of beat two. Two-measure patterns usually contain a syncopation into the second measure. Overall, the rhythm has a swaying rather than swinging (as in jazz) feel. As bossa nova composer Carlos Lyra describes it in his song "Influência do Jazz", the samba rhythm moves "side to side" while jazz moves "front to back".

In terms of harmonic structure, bossa nova has a great deal in common with jazz, in its sophisticated use of seventh and extended chords. The first bossa nova song, "Chega de Saudade," borrowed some structural elements from choro; however, later compositions rarely followed this form. Jobim often used challenging, almost dissonant melody lines, the best-known being in the tunes "Desafinado" ("Off-Key"). Often the melody goes to the altered note in the chord. For example, if the chord is DM7#11, the note sung in the melody line there would be G#, or the sharp 11.

In the early bossa nova recordings, in terms of lyrical themes and length of songs (typically two to four minutes), bossa nova is very much a "popular music" style. However, its song structure often differs from European and North American rock-based music's standard format of two verses followed by a bridge, and a closing verse; bossa nova songs frequently have no more than two lyrical verses, and many lack a bridge. Some of João Gilberto's earliest recordings were less than two minutes long, and some had a single lyrical verse that was simply repeated.

Comment Wall (8 comments)

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At 8:56am on September 24, 2009, Artur Bayramgalin said…
I am glad to announce the release of my debut CD called "Interro Island". This is my first solo project, which includes original tunes composed and arranged by me. I hope you will enjoy my work!
Artur Bayramgalin: Interro Island
available on CD Baby now!
At 9:17pm on May 3, 2009, Jaijai Jackson said…
Happy Birthday from all of here in The Jazz Network Worldwide!

At 8:54am on May 3, 2009, Manee Valentine said…
At 4:47am on May 3, 2009, Sandi said…
Wishing you a very HAPPY BIRTHDAY today!
At 1:38pm on October 21, 2008, Wally "Everydayguy" Cannon said… – - was formed to create a multi-lingual, multimedia vehicle for people to interchange ideas and experiences. We are focused on cultural events and issues. Our members discuss everything from politics – finance – travel – cooking. We are inviting you to come and join our network.

While not excluding any race, creed or background and promoting cultural diversity, we have a direct focus on the emerging markets, rather they be social economic markets, such as African and / or Latino Diaspora or geographical, like Brazil, Dominican Republic, United States, Nigeria and other area.

Come, visit, join – we are looking forward to your input – as a user-focused network, we are what you make us. As a little incentive, we are hosting a contest from now till the end of the year for the Best User. You can check out the site for more information.
At 11:06am on July 20, 2008, Bemol Jean Telfort said…
Hello Brazil,thanks for the friendship,i enjoy listening to your music,much success,peace and blessings.Bemol
At 12:29am on July 20, 2008, Jaijai Jackson said…
Hi Brazil, welcome to the Jazz Network!!! It's great to have you here with us! I love your music :-) and your page is gorgeous :-)

At 6:47pm on July 19, 2008, exe*Cute* said…
Hello Carlos ....
Welcome to our Family here at TJN ~ Hope You will have a Lot of Fun with us --- as we have Great Talent, and Sounds at this very Special 24/7- J@zzClub !!
... thanks for the Great sounds on your Page !

You surely will be a Real Asset here !!

Would be a Great Honour to be Your Friend ...

Also would be a real Pleasure to Invite You to Join, and share our Luv of J@zz ~ with the Great Sounds at The J@zz Network Listening Room here --->
Happy Listening;
And if You wish --- would really be nice, if you could come and see us at our new Chat-Room here --->
Happy Chatting !!

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