"dee Brown's / A Little Elbowroom / on Nu Groove Records
Hello from dee Brown,
The word in getting around, around the word that is. I hope you are passing on this information to all your friends. We got an interview on a site, all the way from…"
dee Brown's / A Little Elbowroom / on Nu Groove Records
Hello from dee Brown,
The word in getting around, around the word that is. I hope you are passing on this information to all your friends. We got an interview on a site, all the way from Europe, that is most impressive. Hit the link http://www.smoothjazztherapy.com/
Great Name! Very slick! Thanks so much for your comments on my music. It means the world to me when someone with your experience has time to listen and comment. Nice resume. Any oppotunities for some like me over there to get into production and grab a record deal? smile....I looking for a family to help this 1st CD get off the ground. Get back when you have time and thanks again for listening.....sincerely, IZ
thank you for the friendship.
If you like to listen "Milli sings Monk with Tatort Jazz Orchester with my german lyrics, you can do it in You Tube under Tatort Jazz.
Liebe Grüße und viel Erfolg wünscht Dir
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."