Hi , my name is Diogo Oliveira and people also call me Diogo Brown.
I'm a composer, bassist and musical producer.
I was born in the city of Niterói , Rio de Janeiro, Brazil 29 years ago .
I started my musical career playing keyboard at the age of 9 and later on turned to Bass.
After the degree at Villa-Lobos Music School , i had the honer to be invited to play with : Sammy Figueroa, Felipe Lamoglia,Cris Delano, Marcos Ariel, Zé Paulo Backer , Rose Max & Ramatis , Brazilian Voices , George Tandy orchestra , Pablo Cano , the Tap Dancer Katherine Kramer and others.
How did you hear about the Jazz Network? Please give full name of contact
What Instrument do you play?
Vocalist, Bass, Percussion, Guitar
What is your website address? Only websites that pertain to your business and how you can be contacted.
I am LIKING what I'm hearing, Diogo... full of life & vigor... Anything you have in need of review, you may want to consider sending my way... my magazine (called IMPROVIJAZZATION NATION) is at http://zzaj.freehostia.com if you'd like to check it out! You can also contact me using email@example.com
Thanks for your Email man, enjoyed your music, see you know Jaoui Schneider, great musician, also Sammy Figueroa. I look forward to visiting Miami in October once again to hear some good music, my son lives there, maybe I might catch you, is Van Dykes still going. Greetings from Northern Ireland
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.