" HI DURIUM, NICE TO MEET YOU. IN BRAZIL WE LOVE ALL FREEDOM MUSIC, ALL JAZZ STYLES. BUT IN SOUTH AMERICA IS NOT LIKE USA OR EUROPEANS JAZZ FM STATIONS...FULL TIME BEAT JAZZ... 24 HOURS JAZZ SWING...NO, IN BRAZIL ONLY WEEKLY…"
Publicist, Promoter, Author, Editor, Freelance Writer, Journalist, Jazz Historian, Collector, Fan
Tell us a little about your background...
I'm a jazz bird that loves to share my passion for jazz, record collecting and other music projects in my daily Keep Swinging Web Log. I love to have friends who are fasinated by all jazz made between 1908 and 2008 and love to share their pasion.
How did you hear about the Jazz Network? Please give full name of contact
I was invited
What Instrument do you play?
What is your website address? Only websites that pertain to your business and how you can be contacted.
HI DURIUM, NICE TO MEET YOU. IN BRAZIL WE LOVE ALL FREEDOM MUSIC, ALL JAZZ STYLES. BUT IN SOUTH AMERICA IS NOT LIKE USA OR EUROPEANS JAZZ FM STATIONS...FULL TIME BEAT JAZZ... 24 HOURS JAZZ SWING...NO, IN BRAZIL ONLY WEEKLY JAZZ RADIO SHOW. I KNOW THAT BECAUSE I HAVE TWO HOURS WEEK TO INTRODUCE JAZZ, EVERY MONDAY TO 21.00 AT WWW.RADIOLESTE345FM.COM.BR THIS SITE IS UNDER RE-PAGE RIGHT NOW. DURIUN, I WRITE THIS MESSAGE IN HOPE GET CD-PROMOTE TO PLAY AT STATION. MY FIRST DESIRE IS TRY DIVULGE MORE AND MORE THE GROOVE MUSIC. IMPROVISED MUSIC. THINK ABOUT. REGARDS FROM BRAZIL. EDSON L. KRUG
Dear Hans, thanks for joining the group 'Jazz in The Netherlands', cause you sure paved the path for many of us. Your extensive Jazz archive is simply amazing. You are a true enrichment for jazz!
Greetings from Maastricht,
Thanks again for your expertise and devotion to the art of JAZZ...I learn so much everytime I visit your page and site...you're the "Smithsonian, and the Archives d'Academy of TJN... this pic was from an assignment I had for the agent of Marcus Roberts and Ellis Marsalis...two truly masterful artists...my best to you always bc
Well Done Durium...your page is such a fabulous homage, and tour de force of pictures, art, thoughtful blogs, and just incredible amounts of historical presentations of jazz and the history of jazz....perfecton indeed!
I truly admire the talent, devotion, drive, and intellect it took to put this masterpiece of jazz together....Bravo.....and thank you for giving this work of love to this great place for us all to fill our hearts, minds and souls with.
I'll check my shelves in my studio (photo/audio) to see if I have any of the vintage album jackets you're looking for....my very best to you and all those in your life...always b
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country's most popular acts. Born in 1913, Herman led "Thundering Herds" that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.