Hey Darlin; The review is posted here in Blogs for Jon And Lynn Duo
Congrats on an amazing project you have undertaken with Lynn Stein.
It is a real pleasure to be working with you both. I am looking forward to the interview with you two.
Yours in the music
Shashona - www.indieshowcase.net
Hey Jon ; Stoppin in to show the love. Im up and around for a few minutes anyway. Thanks so much for you message honey. Hopefully be back it soon, Im too stubborn for the stay in bed business. lol
Listening to a lil Jon Burr Band today. Hope all is well there Darl.
I got your CD the other day - the CD's great! I'll be adding several tracks to my shows so keep an eye on my playlists. Do those vocalists have CDs of their own? Have them send them to me or get in touch with me.
Thanks, great to meet you in here. I'm still enjoying "Three for All".
I checked out your discography, and was delighted to see that you recorded with Dorothy Donegan, one of my heros! And so many great artists. Best of luck with the new CD, " Just Can't Wait", and looking forward to hearing more of your recordings. Kat
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.