"Hi Group, This is my kind of place. I've been an engineer since the 1960's (dating myself) and have built several studios for guys here in L.A. I also produce video. I am a PC user (sorry MAC guys) Software I use includes Finale, Nuendo,…"
Hello Kenny ....
Welcome to our Family here at TJN ~ Hope You will have a Lot of Fun with us --- as we have Great Talent, and Sounds at this very Special 24/7- J@zzClub !!
... thanks for the Great Sounds on your Page !
Oh Kenny, thanks for the friendship and I just want to say, "Oh how skilled you are my brother!" So easy to step into your music, to BE there! Great sound! I stayed so long listening I now have to work late to make up for the time I took vacation while groovin with your music!
Abundant Blessings to you from
Your Forever TEXas Friend,
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country's most popular acts. Born in 1913, Herman led "Thundering Herds" that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.
Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a set with Castañeda, his trio and special guests perform at the Americas Society in New York.