I'm a product of the legendary "Jamaica Funk" music wave that originated in Jamaica, Queens (NY) back in the early 1970's when funk, contemporary jazz, rock and R&B fused to become a unique alternative to the Motown and Beatles sounds we heard so much on the radio. Our music was at the cutting edge of jazz. As part of a hot, dynamic four piece horn section supported by strong rhythm and vocals, I learned there's more to jazz than what meets the ear. Visualization of the many moods and colors created in music ultimately transcends the sound. I was soon introduced to a new "instrument": the DSLR camera. The management of sound transformed to the manipulation of light. I found my music background to be extremely valuable when attempting to capture the intensity of a musician's expression. The anticipated climax of a musical phrase can reverberate forever in a photograph.
Currently I am an event photographer. A large number of my assignments consist of photographing jazz performances and festivals where my camera becomes my instrument and I get to perform along with the artist. This position has given me the unique opportunity of photographing many prominent personalities and events, including arguably the "greatest show on earth" in modern history: the inauguration of our 44th President of These United States, Barack H. Obama.
My camera of preference is the Sony Alpha 700 equipped with a 2.8/70-200G lens and an F828 Cybershot as backup for special shots. Why do I choose Sony? The world can afford to be seen from a different view. And that seems to be the common denominator in my life - looking at things from another perspctive.
I've always believed JAZZ to be more than just music. It's a way of life; a subculture. You recognize it when you see it, you recognize it when you hear it.
And the answer to the obvious question is - Yes. Sometimes I do hear my sax "calling me", but for now I prefer to keep my mouth shut with eyes and ears open.
How did you hear about the Jazz Network? Please give full name of contact
JAZZ NETWORK WORLDWIDE family member - Wayne Cobham
What Instrument do you play?
What is your website address? Only websites that pertain to your business and how you can be contacted.
Call for Artists > > > Made in America: Notable African American Women > National > > > Notable African-American Women - February is Black History Month. Evolve the Gallery is looking for African-American FEMALE artists' unique visual perspectives on a wide variety of subject matter to include family, sports, history, art, entertainment, politics, education, society, etc. Open for African-American FEMALE ARTISTS ONLY. Entries must represent… Continue
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.