Guitarist/composer, Mamdouh Bahri was born in Sfax (Tunisia) and came to Montpellier, in the south of France, at the age of 25. He grew up listening to the traditional music of Tunisia, where he absorbed the Eastern strains into his music and started playing Derbouka (hand drum percussion). As a teenager, he listened to Jimi Hendrix, Carlos Santana, Eric Clapton and B.B. King. When he got his first guitar at eighteen, he started emulating their sounds and performing with local bands, adding his own personal flair to the popular songs of the seventies. When he heard George Benson's "Weekend in L.A.", he got interested in jazz and started listening to the work of Benson, Wes Montgomery, and Joe Pass, and later to Pat Martino, which sparked a lifelong love of jazz. In 1982, he moved to Montpellier and was recruited by JAM (Jazz Action Montpellier) to teach music, and played a key role in the development of the organization until 1991. He became a very active musician and has kept an open musical mind, listening to more jazz (Charlie Parker, John Coltrane, and Miles Davis) and learning to play straight-ahead jazz. His first recording "Song for Sarah", recorded in 1987, was post-bop funk-oriented. In 1988, Mamdouh Bahri came up with a unique way of propelling his Mediterranean heritage mixed with the jazz and Blues. From 1989 to 1993, he formed a quartet with the pianist Horace Parlan that also included Italian bassist Riccardo Del Fra and drummer Idris Muhammad from New Orleans. In 1991, they recorded live in Carthage, the CD "From Tunisia with Love". In 1991, he moved to New York City and joined the collective "The Spirit of Life Ensemble" led by Daoud Williams, and performed with Talib Kibwe, Ted Curson, Michael Cochrane, and Winard Harper, among others. He recorded seven albums with them, using his distinctive playing and compositional skills to bring freshness to the sound of the collective. In 1993, he released his third album "Nefta". The original tunes were influenced by a variety of musical traditions including Middle Eastern, Jazz and North African music. In 1998, he continued with an acoustic album "African Flame" in trio (guitar, percussion & bass), exploring and growing his music, transcending cultural, genre and language barriers. Now he is taking all these diverse influences and styles and mixing them with jazz all over again.
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Mamdouh.. Thanks for bringing your music to my attention.. You may or may not be aware of www.radioio.com, it's suite of jazz channels, and our presence on the webspace.. check us out at www.radioio.com .. Love your music. I would love to present it for our worldwide audience. If you are interested, email me at email@example.com and I will answer any questions and give you the address to the studio.. I hope to hear from you soon. Regards, drmike/Michael Matheny/ radioIO Real JAZZ
Jaijai, what a wonderful mission you've undertaken to create such a place for artistic minds to meet and share their hearts. A place to renew faded determinations, and revive lessened momentums. A place to display our wares and reconfirm to one another that we actually are on the right track.
I commend you, Jaijai, for caring so much that you created this castle of the heart for all of us. I want to share my praise for all of the new friends as well as old friends that I've met and will meet here in our castle. Here we can garnish the where-with-all, the strength, the conviction, and the selflessness through our symbiosis, to share our gift to the world with an unbiased agenda.
My mentor, Daisaku Ikeda says of art: "A beautiful flower delights and refreshes the hearts of all people equally, no matter what soil it grows in. That is the power of beauty. The same is true of great art. It is this spirit that the German poet Heinrich Heine sang of when he wrote that once the peapod bursts open, the sugar peas inside are for everyone to enjoy."
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