"Hi Nestor - I wish you joy with your music - So you're an old geezer like me? Hahaha - Thanks for the impressive mini CV - I've played all over the world for 37 years with great musicians - Toto La Momposina, Marco Vinicio Oyaga, John…"
NZ studied at “Manhattan School of Music” and “The New School Jazz”. He has performed thru the United States, Europe, and various countries of Central and South America, playing hundreds of concerts in a wide variety of styles, from Jazz to Classical to Contemporary and Modern Music, and exploring and playing traditional miusic from arround the world. Nestor Has played with Steve Lacy, Dado Moroni, Aldo Zunino, Jovinho Santos Neto, Nick and Mike Orta, Chuck Bergeron, Felix Gomez, etc..A Classical performer he has played concerts with various Symphony Orchestras and has been a guest artist to various universities.
As a composer Nestor Zurita has written hundreds of works for various instruments and especially on the development of the saxophone.
Nestor Zurita was also the Director of the Jazz Department and of the Classical Saxophone Program in the National Conservatory of Ecuador and has taught students of the Paris Conservatorie and Nicolo Paganini Concervatorie in Italy.Nestor currently lives in Miami were he leads his Latin Jazz Quartet, Trio and Duos.
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Hi Nestor - I wish you joy with your music - So you're an old geezer like me? Hahaha - Thanks for the impressive mini CV - I've played all over the world for 37 years with great musicians - Toto La Momposina, Marco Vinicio Oyaga, John Serry, Paul Dunmall, Carl Orr, Antonio Quijano, Nobuyoshi Ino, Febian Reza Pane, Moussa Kouyate, Mike Ellis, Tom Alexander, and on and on - they were special artists - but very few players today really surprise me - and they used to call jazz 'the sound of surprise - but if I catch myself unawares, I am still able to surprise myself on occasion - I think if we work in a number of styles then of course we are following the former exponents of those styles, breaking free of those shackles is the hard part - for nothing grows in the shadow of great trees . . . In life as in music I am not happy and am always moving on - restless - no rest for the wicked, they say . . . In Tokyo I met a venerable pianist named Red Rogers who had played with Ellington, Coleman Hawkins, Willie the Lion Smith, Bud Freeman, etc, and there he was - playing in a downtown Tokyo piano bar aged over 80, while people talked loud over his gold mine of experience - since this is a lifetime deal - How would you describe your direction in music? What is the nature and purpose of music? Why have so few artists embraced the 'freedom principle'? Why is the audience for jazz shrinking so fast? (Is it because the musicians are too far up themselves? - Haha! I think we should be told - All questions I ask myself regularly . . .
HI MISTER NESTOR, NICE TO MEET YOU. IN BRAZIL WE LOVE ALL BEAT JAZZ. BUT IN SOUTH AMERICA IS NOT LIKE USA JAZZ FM STATIONS...24 HOURS GROOVE JAZZ...NO, IN BRAZIL ONLY WEEKLY JAZZ RADIO SHOW. I KNOW THAT BECAUSE I HAVE TWO HOURS WEEK TO INTRODUCE IMPROVISED MUSIC, EVERY MONDAY TO 21.00 AT WWW.RADIOLESTE345FM.COM.BR THIS SITE IS UNDER RE-PAGE RIGHT NOW. NESTOR, I WRITE THIDS MESSAGE IUN HOPE GET CD-PROMOTE TO PLAY AT STATION. MY FIRST DESIRE IS TRY DIVULGE IN BRAZIL MORE SWING TUNES. THINK ABOUT. REGARDS. LUIZKRUG@BOL.COM.BR
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.