"Happy 2 Year Anniversary to you & everbody here at the very cool & hip "Jazz Network Worldwide Ms Jaijai!!:):) Sooo happy for you having the heart & soul & vision to carry this beautiful site to amazing musical heights! Thank…"
Truly dig the evolution as well and the historical recordings of one of the most sophicasted forms of music which is "jazz"! Glad to see folks still groovin' and believing in the groove! Peace and blessings....N
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Stumbled upon it from Marcus Miller website.
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It is so wonderful to hear from you again after all of these years. You look fabulous dear heart. Please email me as well at:email@example.com.
Let's play catch up.
Peace and much love...Armsted
Peace sis. Noelle, I just noticed your snapshot with McCoy and Gary Bartz. That's way cool!!!! I also want to let you know that I just had one of my songs posted on this site. It is named after a recent ex-girlfriend. It's called Bedroom Eyes which was my nickname for her. I hope you enjoy hearing it.
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country's most popular acts. Born in 1913, Herman led "Thundering Herds" that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.
Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a set with Castañeda, his trio and special guests perform at the Americas Society in New York.
Ever since he started becoming one of the best alto saxophone players in the world, Zenón has drawn from his upbringing in Puerto Rico. But, like many Puerto Ricans, Zenón lives in New York — where his quartet of 10 years has finally been invited to play the Vanguard. It presents new music in concert.