"Hey Victor. Just stopped by to check out your smooth sound. Hope all is going well . I just performed with R&B legend Eddie Floyd Saturday night in Memphis. I'm working on new music for my next project. Have a great week and continued…"
Paul Phillips is a singer,songwriter and musician from Memphis,Tn. He just released his latest project entitled "Tonight". The CD has thirteen songs all written and produced by Paul. Paul has always had an ear for music from a young age. After high school he began collaborating with other artist and developed his own style. Artist such as Luther Vandross,Jeffrey Osborne,Marvin Gaye and Brian Mcknight have had a big influence on who he is today. He sang background for Miles Jaye and Melissa Morgan when they toured Memphis with Boney James, He's also performed with many Mid South artist such as saxophonist Mark Baker and many others. He feels that much of today's music has lost it's soul and wants to share with his listeners what he feels good music is all about. His ultimate goal is to start his own label and produce other talented artist.
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The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.