Musical Artist, Visual Artist, Vocalist, Jazz Presenter
Tell us a little about your background...
singing my wholelife. sang throughout Europe, Vegas Hotels clubs theater, acting, singing from opera to jazz. Currently singing jazz in clubs in NYC, booking shows Upstairs at San Martin & director of New Apple Productions. 3 years of Tuesdays at Notaro with the Larry Luger Trio in NYC
How did you hear about the Jazz Network? Please give full name of contact
What Instrument do you play?
What is your website address? Only websites that pertain to your business and how you can be contacted.
Thank you very much for this virtual and musical friendship. I may go singing in NY this late summer or fall invited by a film director. If ever, I will keep you informed. It would be a pleasure to meet you.
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country's most popular acts. Born in 1913, Herman led "Thundering Herds" that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.
Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a set with Castañeda, his trio and special guests perform at the Americas Society in New York.