“Everything that is true and seriously planned , always slowly follows its own path and gain its end almost by some miracle , for its appearance , as a rule , is given a cool , even malevolent , welcome , by the same reason why , afterwards , when it achieves absolute recognition of posterity , the immense majority of people would do justice to it only taking the authority into consideration. Lest they should be compromised, whereas, the number of real connoisseurs remains as small as in the beginning. Nevertheless , those few are capable to make esteem the truth , hand the truth overhead the crowd unable to comprehend it. Such is difficult existence of the best of the mankind heritage”
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А чем сейчас занимаетесь?Из фото видно,что тесно сотрудничаете с Серовым?Ваша музыка полна романтическо-ностальгической чувственности,присущей русской душе.Но к джазу в моем понимании(а это Чик Кориа,Скотт Хендерсон,Степс Эхид и т.д) ее отнести нельзя.Поэтому знакомство с Вами на джазовом сайте нахожу несколько удивительным.
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country's most popular acts. Born in 1913, Herman led "Thundering Herds" that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.
Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a set with Castañeda, his trio and special guests perform at the Americas Society in New York.