Think saxophones, and most of us will immediately start thinking of jazz, specifically trad jazz. No bad thing, maybe, as there are few instruments as beautiful as the saxophone, and few sounds as effortlessly beautiful as jazz, but YolanDa Brown is someone who has made the instrument truly her own, a miraculously gifted saxophonist fluent in a whole lot more than just that one genre.
As her two EPs to date, July 2007's Finding My Voice and August 2008's A Step Closer, so volubly attest, here is an artist who takes jazz and introduces it to all sorts: to soul, to R&B and gospel, to loping reggae and infectious Latin. She can sound at once emotionally raw and incontestably infectious, and she can make it sound like no one else on earth. For the past three years now, she has performed with some of the music world's most respected artists, and her name on the bill alone can sell out all sorts of venues. She has won a prestigious MOBO Award, has presented an arts show on television, and is currently putting the finishing touches to a debut album which will firmly establish her on modern music's cultural map. Right now, YolanDa Brown is a star in waiting. She won't have to wait very much longer.
"I think the first time I heard music I was still in the womb," YolanDa says, laughing loudly. "It was always on in the house. My father [who worked in advertising] wasn't a musician himself, but he played the hi-fi very well indeed. He introduced me to all kinds of music, and so I didn't really have a choice, I suppose. I was hooked from the youngest age."
Born in Barking 26 years ago, YolanDa started to study her passion early on. At six, she was regularly seated at the piano, going diligently through the keys until she understood it intrinsically.
By seven, she was giving the violin a go, then the drums. She loved the recorder, the oboe, and by 13 had settled on the saxophone. She refused to take lessons, however, simply because the saxophone to YolanDa was somehow instinctual. She simply knew how to play it, naturally, as if she were born to do so. Pretty soon, she became something of a prodigy.
"I'm not sure why the saxophone of all instruments appealed to me most," she admits, "but I just felt at home with it somehow. I loved the music it made."
Normally when someone finds themselves through a musical instrument, it is at the cost of their studies. They perform so poorly elsewhere in school that, say, the guitar is the only way they can find of expressing themselves. Not YolanDa. YolanDa was as good in the classroom as she was in the music room. She excelled in all subjects, even the unpopular ones like maths and science. She became head girl, and sailed through her GCSEs, her A-levels, and on into university, where she completed a Masters in Management Science, as well as a Masters in Social Research Methods and has even begun to study for her PhD at the University of Kent.
During the latter course, she even spent a year studying it in Spain, where she also picked up the language. A career in high-level business clearly beckoned, but as she says herself, "I simply couldn't imagine myself spending life in an office. Music was still my overriding love. As long as it could pay the rent, I was going to pursue it for all I was worth."
In her early 20s, she started to play live, her natural gift bringing her to the attention of all sorts of artists who promptly invited her out on the road with them. Over the past few years she has played with Alexander O'Neal, Mica Paris, Omar, Soweto Kinch and Sway. She learned plenty with each, but it also whet the appetite of someone who didn't just play an instrument but also wrote her own songs. By 2006, she was ready to launch herself as a solo artist.
With no record deal on the table and having never tried to set out by herself before, you'd expect the prospect would have confounded her, but YolanDa simply employed her smarts.
By the time she came to headline her debut concert, at London's Mermaid Theatre in July 2007, it was completely sold out. In centre stage, she proved an absolute natural, someone who could command the limelight all by herself, and who could play the saxophone like someone possessed.
From there, she ventured out into the world. She has played at jazz venues in Miami, and at the Frankfurt Auto Show. She has appeared at the Rotterdam Carnival and at Spain's IslaVuelta's Festival. She has played before the High Commission and at the Ocho Rios Festival in Jamaica. For 18 months, she hosted her own talk show - entitled, confusingly, Esther (after a character in the Bible) on Passion TV and last year she toured the UK with The Temptations. She ended 2008 by picking up a MOBO Award for Best Jazz Act.
"I was honoured, of course I was," she says of her cherished statuette, "but now I'm very much focused on establishing myself for what I really am, someone who refuses to be hemmed in by any one musical genre. I don't listen to just one kind of music, so I don't see the need to play just one kind of music. It's all fair game to me, as far as I'm concerned."
She started 2009 as she means to go on: on a high, accompanying Errol Brown on his swansong tour. "A lovely man," she says. And now, as she is considering further TV opportunities, putting the finishing touches to her debut album and meeting with any record company interested in signing up a genuinely cross-cultural artist, she is also currently teaching Business at Kent University. Why? Simply because she can, and because she has the most extraordinary drive, not just to achieve but also to share her vast knowledge. You don't come across many people as extraordinary, and motivational, as YolanDa Brown, which is why she is one of a kind. She very probably runs on rocket fuel.
"Do I sleep?" she asks, giggling. "Not much, but then I don't need many hours. I've got too much I want to prove right now, I suppose, and so I'm doing my best to do just that."
Right now, she is everybody's best kept secret, an industry buzzword. Pretty soon, YolanDa Brown will be instantly recognizable. She might just turn out to be a national treasure, this one. Watch this space.
How did you hear about the Jazz Network? Please give full name of contact
What Instrument do you play?
What is your website address? Only websites that pertain to your business and how you can be contacted.
Thanks for letting me into your world, i will listen to your music for more insight on the person, Great picture. i'll get back to you soon and fill in any questions you may have.
Stay well and be Happy
Jaijai, what a wonderful mission you've undertaken to create such a place for artistic minds to meet and share their hearts. A place to renew faded determinations, and revive lessened momentums. A place to display our wares and reconfirm to one another that we actually are on the right track.
I commend you, Jaijai, for caring so much that you created this castle of the heart for all of us. I want to share my praise for all of the new friends as well as old friends that I've met and will meet here in our castle. Here we can garnish the where-with-all, the strength, the conviction, and the selflessness through our symbiosis, to share our gift to the world with an unbiased agenda.
My mentor, Daisaku Ikeda says of art: "A beautiful flower delights and refreshes the hearts of all people equally, no matter what soil it grows in. That is the power of beauty. The same is true of great art. It is this spirit that the German poet Heinrich Heine sang of when he wrote that once the peapod bursts open, the sugar peas inside are for everyone to enjoy."
Click the image to give us your ideas for great festivals, events, fundraisers, sponsors, investors, etc. Let's combine our databases to bring us all to the next level of networking!
The Jazz Network reserves the right to approve, decline, ban or suspend membership at anytime without notice at its own discretion.
THE JAZZ NETWORK WORLDWIDE IS AN ORIGINAL ENTITY AND SOLE PROPRIETOR AND HAS NEVER PARTNERED OR AFFILIATED ITSELF WITH ANY OTHER JAZZ NETWORK THAT EXISTS THAT HAS A SIMILAR INTERFACE TO OUR ORIGINAL INTELLECTUAL PROPERTIES, LAYOUT, ADVERTISEMENTS AND GRAPHIC DESIGN.