1. You have to sign in last.fm as musician or record company.
2. upload some tracks or albuns.
3. Join ESB Jazz Radio (http://esbjazzradio.ning.com)
4. mail me what albuns or tracks you would like on my radio station.
Hello! My fans and friends,my music is being featured this month on 'Coast Radio',:www.thecoastradioonline:,also doing a live interview tuesday,october 26th,10am-PT/1pm-EST.,tune in and join me musically,Emmett North Jr.
Unfortunately, I not so often on the internet to listen to radio, but I appreciate any support to the cause of "live" music in presentation. Peace-out on this wonderful begining of the christmas season and long live our affiliations and affections of the giving spirits. Fiddla
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Pianist and singer Barbara Carroll was host Marian McPartland's second guest during the first season of Piano Jazz. Thirty years later, Carroll makes a return appearance to reminisce with her friend about their experiences at the Hickory House and the Oak Room. Carroll gives a charming performance of "Very Early" and McPartland improvises a musical portrait of her guest.
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.