" HI ROBERTO, NICE TO MEET YOU. IN BRAZIL WE LOVE ALL FREEDOM MUSIC, ALL JAZZ STYLES. BUT, IN SOUTH AMERICA IS NOT LIKE USA OR ITALY JAZZ FM STATIONS...24 HOURS BEAT JAZZ....NO, IN BRAZIL ONLY WEEKLY JAZZ RADIO SHOW. I SAY…"
always been a musician, I attended the Conservatory of Alessandria Vivaldi up to five years of oboe, in the following years I played bass and drums with many artists, I composed and participated in various albums; currently play electric bass and keyboards,I like the jazz in all of its forms and I make small experiments of contemporary music and world music. my songs are composed and produced entirely by me.
How did you hear about the Jazz Network? Please give full name of contact
What Instrument do you play?
Piano, Bass, Other
What is your website address? Only websites that pertain to your business and how you can be contacted.
HI ROBERTO, NICE TO MEET YOU. IN BRAZIL WE LOVE ALL FREEDOM MUSIC, ALL JAZZ STYLES. BUT, IN SOUTH AMERICA IS NOT LIKE USA OR ITALY JAZZ FM STATIONS...24 HOURS BEAT JAZZ....NO, IN BRAZIL ONLY WEEKLY JAZZ RADIO SHOW. I SAY THAT BECAUSE I HAVE TWO HOURS WEEK TO INTRODUCE JAZZ, EVERY MONDAY TO 21.00 AT WWW.RADIOLESTE345FM.COM.BR THIS SITE IS UNDER RE-PAGE RIGHT NOW. ROBERTO, I WRITE THIS MESSAGE IN HOPE GET CD-PROMOTE TO PLAY AT MY JAZZ RADIO PROGRAM. MY FIRST DESIRE IS TRY DIVULGE MORE AND MORE IN BRAZIL THE SWING, GROOVE AND IMPROVISED MUSIC. THINK ABOUT. REGARDS FROM BRAZIL. CIAO FRALTLLO. EDSON.
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.