The pleasure was all mine. It truly is a pleasure to play with a consumate professional as yourself. I hope to work extensively with you and others like you. God Blwss and keep you and your family!"
born and raised in wilmington delaware i started playing music at the age of 10 when i turned 16 i moved to philly where i became as you would say groomed and polished in the music world.and was hired at society hills records as a recording guitarist.
working with musicians such as cornell wilder,roland chambers,teddy pendergrass,major harris,on the jazz side i also work with trumpet master gerald chavis,vegas east production,marlon mclain from pleasure,and pianist joe bungy to name a few.
being a guitar player opens a universe of ideas and places to go with your music as they say the sky is the limit.i try to take my guitar and guitar synth to new levels at the same time just when you think you done it all you have actually done nothing.
How did you hear about the Jazz Network? Please give full name of contact
What Instrument do you play?
What is your website address? Only websites that pertain to your business and how you can be contacted.
The pleasure was all mine. It truly is a pleasure to play with a consumate professional as yourself. I hope to work extensively with you and others like you. God Blwss and keep you and your family!
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.