SPOTLIGHTED ARTISTS AND BUSINESSES:


TRIBUTE TO SAMMY NESTICO

THE BOB NOVAL ORCHESTRA

SHELLEY BURNS ~ ACCENTUATE

TRIBUTE TO JOHNNY MERCER

Jaijai, what a wonderful mission you've undertaken to create such a place for artistic minds to meet and share their hearts. A place to renew faded determinations, and revive lessened momentums. A place to display our wares and reconfirm to one another that we actually are on the right track.

I commend you, Jaijai, for caring so much that you created this castle of the heart for all of us. I want to share my praise for all of the new friends as well as old friends that I've met and will meet here in our castle. Here we can garnish the where-with-all, the strength, the conviction, and the selflessness through our symbiosis, to share our gift to the world with an unbiased agenda.

My mentor, Daisaku Ikeda says of art: "A beautiful flower delights and refreshes the hearts of all people equally, no matter what soil it grows in. That is the power of beauty. The same is true of great art. It is this spirit that the German poet Heinrich Heine sang of when he wrote that once the peapod bursts open, the sugar peas inside are for everyone to enjoy."

Let's be audacious, my friends!

Buster Williams

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Nellie McKay's Smoldering Voice Takes On Standards Like 'My Romance'

Nellie McKay sings melancholy standards about love on her new album: Sister Orchid. NPR's Scott Simon speaks with McKay about her music that she performs alone.

Harry 'Sweets' Edison On Piano Jazz

On this episode of Piano Jazz from 1999, broadcast just months before Edison died, the legendary jazz trumpeter joins Marian McPartland for a few classics and an original.

First Listen: Joshua Redman, 'Still Dreaming'

The revered saxophonist leads an agile post-bop group with Ron Miles on cornet, Scott Colley on bass and Brian Blade on drums.

First Listen: Brownout, 'Fear Of A Brown Planet'

Inspired by Public Enemy's discography, Brownout's latest batch of Latin funk covers is an instrumental soundtrack that recalls the grooves of late 1970s.

First Listen: Kamaal Williams, 'The Return'

Williams is a central figure in London's jazz renaissance. Stream the producer's debut full-length in its entirety.

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Hulon's Blog – September 2012 Archive (3)

Check out my song "Follow Me"!!!

"Follow Me" is a song that really puts me at ease. It takes you on a journey to find peace from the smooth sax to clear notes of the piano. This song is perfect way to end your day and reflect on your life and enjoy what you have here and now at that very moment. The groove of this song speaks to your spirit and makes you feel glad to be alive.…

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Added by Hulon on September 27, 2012 at 3:44pm — No Comments

So Naturally

"So Naturally" is a song I wrote that is meant to just feel right. The groove, the melody and the production sounds are meant to convey pure bliss. This tune is laid back and very smooth, perfect for a drive up the coast with the top down. Some might hear a nod to the blissful groove of George Benson on his album Breezin'.…

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Added by Hulon on September 20, 2012 at 5:21pm — No Comments

Cisco Kid

“Cisco Kid” is nothing but smooth sax that will keep you humming all throughout the song. I like to keep the beat going throughout the phrase while building dynamics to anticipate my own freestyle. I like my music to immediately make you feel lost in my world of jazz, where you can’t help but sway to the beat. In this live performance, http://www.youtube.com/watch?v=htnRy6NvisM, you can even see all…

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Added by Hulon on September 6, 2012 at 5:44pm — No Comments

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