FYI some photos I took of you at Norwalk Jazzfest and The Appollo are being featured on Makin' Music NY (www.makinmusicny.com). They are affiliated with TJNW. Take a peek! Leon
PS - Hope to see you in Stamford nex month. Michele says "Hi!"
Things are starting to pickup for me. I am feeling much better. I am on track with my recordings. I am performing weekly. So I can't complian. I hope all is well with you. Hearing you play on your CD, makes me wish that I kept playing my flute. It's just a memory for me now. I look forward to hearing your next musical project. Take care
Good to here from you its been a long time since Larry Mosley introduced us. How's your career going? I've been enjoying your music, wonderful tunes and writing. We'll have to collaborate and share ideas. Check out my page and listen to my latest CD tracks, there playing live.
Peace and Much Love, GG
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country's most popular acts. Born in 1913, Herman led "Thundering Herds" that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.
Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a set with Castañeda, his trio and special guests perform at the Americas Society in New York.