Thanks Manee. Although I speak fluent Spanish the funny thing is I don't like singing in Spanish. I don't know what it is but the phrasing just doesn't seem to work for my style. Spanish is quite a 'hard' language and maybe that's it. Flamenco, for instance, is fantastic and I love it but I could never sing it. Vx
Thanks for the add! I am actually on this site and others promoting my last cd and my upcoming one. I hope you checked out my songs on my IMEEM site and also at www.myspace.com/enriqueoliveras and also hope you will show your support with a purchase on cdbaby if you like one or all. I just dropped on my site called ‘True Love Never Dies” a blend of funk/r&b and Rap. You can find my songs under “Que-My Original Music”. The second button for “Tribal Winds” is my collaboration effort in Tribal/New Age music.
Hit the cdbaby button to purchase individual songs or buy the lot!
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings "Everybody Loves My Baby" and "Where Do You Start."
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country's most popular acts. Born in 1913, Herman led "Thundering Herds" that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.
Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a set with Castañeda, his trio and special guests perform at the Americas Society in New York.