HI MISTER HULON, NICE TO MEET YOU. IN BRAZIL WE LOVE ALL CONTEMPORARY JAZZ MUSIC FROM BONEY JAMES,DAVID SANBORN,PAUL HARDCASTLE,ETC.I INTRODUCE TWO HOURS WEEK IN BRAZILIAN FM STATION.IN SOUTH AMERICA THERE S NOT A FULL TIME JAZZ FM STATIONS, AS WELL USA, CANADA, ITALY, ETC.IN BRAZIL ONLY WEEKLY JAZZ RADIO SHOW.I DO MY BEST TO FEATURE IN MY COUNTRY MORE SMOOTH AND FUSION STYLES.I PRESENT MY JAZZ RADIO PROGRAM EVERY MONDAY TO 21.00 AT WWW.RADIOLESTE345FM.COM.BR THIS SITE IS UNDER RE-PAGE, BUT YOU CAN SEE ME AT FACEBOOK, OR.... WWW.STANGETZCOMMUNITY.COM A WEB SITE TO REVERE STAN MUSIC. I SIGN IN BECAUSE STAN WAS THE FIRST USA GUY TO PLAY AND RECORD BOSSA NOVA STYLE.SO, HULON, I WRITE TO YOU IN HOPE GET CD-PROMOTE TO PLAY AT STATION. MY FIRST WISH IS TRY FOSTER THE JAZZ TASTE FROM GROOVE, BEAT, IMPROVISED MUSIC. THINK ABOUT.REGARDS. EDSON. firstname.lastname@example.org
Add me as a friend. Your sound is smooth your music hot and I just love the horns. Enjoyed listening to your music. Hope we cross paths in the future maybe hit a stage togather that would be kool!! Best of luck in your venture.
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Pianist and singer Barbara Carroll was host Marian McPartland's second guest during the first season of Piano Jazz. Thirty years later, Carroll makes a return appearance to reminisce with her friend about their experiences at the Hickory House and the Oak Room. Carroll gives a charming performance of "Very Early" and McPartland improvises a musical portrait of her guest.
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.