HI HANA. OF COURSE I WOULD LIKE TO PLAY YOUR MUSIC IN MY WEEKLY JAZZ RADIO SHOW. BY THE WAY. WE NEED MORE WOMAN SAX PLAYERS IN THE WORLD. ARE MANY FEW. I KNOW IN ALL WORLD, MAYBE SOMETHING 20 WOMAN SAX PLAYERS. SO, HANA, I CANNOT PLAY DOWNLOAD MUSIC IN MY JAZZ RADIO PROGRAM. I WILL GIVE THE RADIO ADDRESS........ IS... RUA DR GOULIN, 291 CURITIBA PARANA BRAZIL ZIP CODE 800 30 290 ATT RADIO LESTE EDSON LUIZ KRUG----------I ALSO NEED YOU E-MAIL ME LUIZKRUG@BOL.COM.BR SAYING....YES, EDSON, YOU CAN PLAY MY MUSIC. I WILL PRINT AND FILE. ARE THE RADIO RULES. HANA, ONCE MORE THANKS A LOT YOUR SUPPORT. BEST WISHES. EDSON.
HI HANA, NICE TO MEET YOU. IN BRAZIL WE LOVE ALL INSTRUMENTAL MUSIC, ALL JAZZ STYLES.BUT, IN SOUTH AMERICA IS NOT LIKE USA JAZZ FM STATIONS...FULL TIME GROOVE JAZZ...NO, IN BRAZIL ONLY WEEKLY JAZZ RADIO SHOW. I KNOW THAT BECAUSE I HAVE TWO HOURS WEEK TO INTRODUCE JAZZ,EVERY MONDAY TO 21.00 AT WWW.RADIOLESTE345FM.COM.BR THIS SITE IS UNDER RE-PAGE RIGHT NOW. SO, HANA, I WRITE THIS MESSAGE IN HOPE GET CD-PROMOTE TO PLAY AT STATION. MY FIRST DESIRE IS TRY DIVULGE MORE BEAT JAZZ IN BRAZIL. THINK ABOUT. REGARDS FROM BRAZIL. EDSON.
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Welcome to THE JAZZ NETWORK WORLDWIDE "A GREAT PLACE TO HANG"
The Jazz Network is exactly what the title suggests, a place where you get to mix and mingle with those who have not only an appreciation for Jazz but a forum to hear new up and coming artists as well. I've hooked up with so many of my old friends that I've lost contact with over the years here and it's been a great place to meet folk, appreciate good music and Musicianship. What an incredible idea!!
Pianist and singer Barbara Carroll was host Marian McPartland's second guest during the first season of Piano Jazz. Thirty years later, Carroll makes a return appearance to reminisce with her friend about their experiences at the Hickory House and the Oak Room. Carroll gives a charming performance of "Very Early" and McPartland improvises a musical portrait of her guest.
The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we're about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who's launching his Odyssey-inspired album The Sirens.
Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.